Tag: composing

Telford Southwater Grand Opening

Just a quick note to sat that my friend Richard Shrewsbury and I have written a piece for the opening of the new Telford Southwater development. On Saturday 18 October, the grand opening of the site will have a big event running from 2pm – 8.30pm. Around 8pm-ish there will be a procession (I don’t know if the details are secret so I’m not going to go into detail!) with music written/arranged by Richard, culminating in an awesome fireworks display choreographed to music – a sort of electronic dance track – written by Richard and me.

It should be a fun event so head on down!

Free Radio are hosting the day – click here for more details.

Southwater Development in Telford
Southwater Development in Telford, BBC photo
by Jeremy Clay

In Harmony Telford & Stoke

Been pretty busy this term so not had much time to update this blog! Anyway, I’ve been working with In Harmony Telford and Stoke, directing the Telford orchestras which is a fantastic challenge but thoroughly enjoyable. I lead 4 ensembles: 90 Year 2 strings; 60 Year 30 Strings; two orchestras with around 100 mixed instruments from years 4 – 6 in each. My orchestra day is really tiring but really rewarding. The children are doing so well.

I’ve composed some of the music, and others bits I’ve written backing tracks for – snippets of which are on the video below.

Here’s a little video about the project (you can even see me in a cowboy hat…) Enjoy!

You can find out more info about the project at their website.

by Jeremy Clay

Molecular Mimicry – BCMG Resolution Project

As I posted about a few months ago, earlier this year I was involved in BCMG’s Resolution project, exploring scientific research through music and I composed a piece for secondary school students to perform. As part of my research, I drew a little storyboard which was made into a little film (thanks to Jonathan Lee). I’ve finally managed to put the audio recording of the performance by the students together with the animation. And here it is (make sure you turn your sound up – the beginning is very quiet):

Programme note:

‘Molecular mimicry’ is a term that describes the process of the body’s immune system mis-recognising its own antigens (particular proteins which live on the surface of cells) for those of a foreign pathogen and attacking itself. This piece explores the hypothesized process of the body developing Sjögrens syndrome.

Firstly the musical form of an oral bacterium called Porphyromonas gingivalis (P. Gingivalis) is heard:

Molecular Mimicry Melody

This bacteria, or pathogen, is very similar in appearance to some of the body’s own cells. In the music this is represented rhythmically similar harmonies. The melody and harmonies are locked into by another rhythm:

Molecular Mimicry Counter-melody

This depicts the way the body uses a ‘lock and key’ type mechanism when discovering and reacting to particular antigens. See https://www.youtube.com/watch?v=QIN5sSUlZWk

This in turn triggers an immune response – an alarm – and the body begins to attack itself. In Sjögrens Syndrome this takes a number of forms, one of which is that the tear ducts and mouth dry up, shown in the music by the change from loud resonant sounds into high pitched dry, scratchy sounds.

by Jeremy Clay

A River Through History – double recording bonus!

So I have now got hold of two recordings from the CBSO Our City Our Past project, which I posted about before.

The first is a performance of the piece A River Through History, composed and performed by young people from Shenley Academy at the CBSO Centre in May 2013.

The second recording is of an arrangement I made of the piece for full orchestra, performed wonderfully by the City of Birmingham Symphony Orchestra at Symphony Hall in June 2013, conducted by Michael Seal.

by Jeremy Clay

A River Through History – CBSO Performance

A River Through History Title Page

Yesterday I attended both of the CBSO’s schools concerts involving the final performance for the Birmingham History Project I have been involved with. The full orchestra performed in Symphony Hall with audiences of 2000 children in each concert.

The reason for my excitement was that I had arranged a piece written by secondary school pupils from Shenley Academy for the full orchestra to perform. Earlier in May the young people performed the piece themselves at the CBSO Centre, then I went away and arranged it for the orchestra. My main concern whilst arranging the music was that I needed to balance needing to make the piece sound ‘orchestral’ and giving it a ‘professional’ edge, without losing the sense of the original material composed by the young people.

The ideas from the students were really good and fortunately I was able to work really well with the material they had composed without adding to it very much at all. I felt like I was able to be true to their original intentions. Fortunately I was able to go into the school and do a session with them to explain to them exactly what I had done with their piece, so that they could understand why they might not hear ‘their bit’ played by the same instrument or in the same way. I think this was a really valuable session.

From talking to them after the concert, they seemed really pleased that they could hear ‘their music’ in the piece even though I hadn’t just taken their piece note by note and orchestrated it.

It has taken a lot of work, but I’m really pleased with the way it turned out. I’m hoping to get a recording online soon.

A River Through History - Page 1

A River Through History double pageA River Through History section

by Jeremy Clay

Prizewinning new piece – For Amber for voice and piano

Here’s a recording of the most recent performance of my work. This is For Amber which won a prize in the Association of English Singers and Speakers Composition Competition 2012.

It was performed in May at the Guildhall School of Music and Drama by the fantastic soprano Sarah Leonard.

The lovely chap who beat me to first place (grrrr) is the talented Mr Michael Betteridge who wrote a great piece called Charity which you can hear on his soundcloud.

by Jeremy Clay

From Christmas to Easter…

…was a pretty busy time for me! In a good way!

I was involved in a number of projects, two of which have now finished for this year.

Firstly Resolution with BCMG. This was an intriguing science and music project which I blogged about previously. The final performance of this project was immense – the three secondary schools all did a joint performance which was really well received. I was so pleased with the way the young people reacted to the slightly crazy mix of science and contemporary music. They really engaged with it and pushed it forward in ways I didn’t imagine which was fantastic! Even created a rap about antibodies and antigens, which was awesome. I wrote a piece for the young people to perform entitled ‘Molecular Mimicry’ which was based on a theory of what the body does when it develops Sjögren’s Syndrome. Here’s the cartoon strip I wrote for it (no audio):

 

I was also involved with BCMG’s Imagine Compose project where I was working with one of Birmingham Music Service’s beginner instrumental ensembles to get them to be creative with their instruments. The exciting thing for me about this project was that you could see the children’s minds opening up to the new ideas and possibilities of their instruments. The group were fantastic – they were all really engaged and creative which made it fun. I went to their final performance at the Adrian Boult Hall in March and they actually performed a piece they’d created together. Here it is:

 

I have also been doing workshops with CBSO’s Birmingham History Project and CBSO’s Stay Tuned project – in fact you can catch fleeting glimpses of me here on this video:

by Jeremy Clay

Science & Music

Notes spilling onto page
Notes spilling onto page – if only it were this easy!

Over the past few weeks I have been working with Birmingham Contemporary Music Group on a project called Resolution. The project brings together science and musical composition and as part of it I am writing a piece for a group of young secondary school students to play, which is based on research into Sjogren’s Syndrome. It’s all very intriguing.

The scientist I have been working with is looking into specific theories of how Sjogren’s Syndrome might develop, as it isn’t really known. It’s amazing both how much and how little scientists know! So the piece I’m writing uses extra-musical information such as the ideas of bacteria, antigens, antibodies etc and I am trying to convey this information without it being too much of a story-telling exercise. Which is fascinating. And difficult. But fun. And challenging.

The trouble is that the information given to me by the scientist is very complex and abstract and although myriad different ideas are sparked off by the research, actually honing those ideas down to be more communicative of the science is quite tricky. It should be interesting to see how this pans out! It begs the question – can concrete scientific ideas ever be communicated successfully by a non-verbal medium?

Samples and Samples
Samples and Samples
A fake science experiment
A fake science experiment or an intriguing appetiser?
by Jeremy Clay

That Terrible Silence – my latest piece

Here’s a recording of my latest piece which was premiered at The Forge in Camden in October. It was performed by Thumb Contemporary Music Ensemble conducted by Dan Watson.

The piece is roughly based on the frustration of not being able to write anything. I’d already written half a piece for the ensemble but it was terrible so I got rid of it and was really frustrated with it all – then this popped into my head and I just went for it!

by Jeremy Clay