Telford Southwater Grand Opening

Just a quick note to sat that my friend Richard Shrewsbury and I have written a piece for the opening of the new Telford Southwater development. On Saturday 18 October, the grand opening of the site will have a big event running from 2pm – 8.30pm. Around 8pm-ish there will be a procession (I don’t know if the details are secret so I’m not going to go into detail!) with music written/arranged by Richard, culminating in an awesome fireworks display choreographed to music – a sort of electronic dance track – written by Richard and me.

It should be a fun event so head on down!

Free Radio are hosting the day – click here for more details.

Southwater Development in Telford
Southwater Development in Telford, BBC photo

A lovely thank you card!

Yesterday was a busy day at In Harmony Telford & Stoke. We had our Christmas Concerts – 4 concerts in one day! It was fantastic! All the children performed really well – and both they and the parents seemed to thoroughly enjoy it.

They premiered my new piece Fantastic and Splendid as well as doing some arrangements I had done. Hopefully I will be able to share some recordings on here as well.

And I was also present with this lovely A3 size card from my year 2 string orchestra! Sweet!

Year 2 Thank you cardYear 2 thank you card - middleYear 2 thank you card - back

A River Through History – double recording bonus!

So I have now got hold of two recordings from the CBSO Our City Our Past project, which I posted about before.

The first is a performance of the piece A River Through History, composed and performed by young people from Shenley Academy at the CBSO Centre in May 2013.

The second recording is of an arrangement I made of the piece for full orchestra, performed wonderfully by the City of Birmingham Symphony Orchestra at Symphony Hall in June 2013, conducted by Michael Seal.

A River Through History – CBSO Performance

A River Through History Title Page

Yesterday I attended both of the CBSO’s schools concerts involving the final performance for the Birmingham History Project I have been involved with. The full orchestra performed in Symphony Hall with audiences of 2000 children in each concert.

The reason for my excitement was that I had arranged a piece written by secondary school pupils from Shenley Academy for the full orchestra to perform. Earlier in May the young people performed the piece themselves at the CBSO Centre, then I went away and arranged it for the orchestra. My main concern whilst arranging the music was that I needed to balance needing to make the piece sound ‘orchestral’ and giving it a ‘professional’ edge, without losing the sense of the original material composed by the young people.

The ideas from the students were really good and fortunately I was able to work really well with the material they had composed without adding to it very much at all. I felt like I was able to be true to their original intentions. Fortunately I was able to go into the school and do a session with them to explain to them exactly what I had done with their piece, so that they could understand why they might not hear ‘their bit’ played by the same instrument or in the same way. I think this was a really valuable session.

From talking to them after the concert, they seemed really pleased that they could hear ‘their music’ in the piece even though I hadn’t just taken their piece note by note and orchestrated it.

It has taken a lot of work, but I’m really pleased with the way it turned out. I’m hoping to get a recording online soon.

A River Through History - Page 1

A River Through History double pageA River Through History section

Prizewinning new piece – For Amber for voice and piano

Here’s a recording of the most recent performance of my work. This is For Amber which won a prize in the Association of English Singers and Speakers Composition Competition 2012.

It was performed in May at the Guildhall School of Music and Drama by the fantastic soprano Sarah Leonard.

The lovely chap who beat me to first place (grrrr) is the talented Mr Michael Betteridge who wrote a great piece called Charity which you can hear on his soundcloud.

That Terrible Silence – my latest piece

Here’s a recording of my latest piece which was premiered at The Forge in Camden in October. It was performed by Thumb Contemporary Music Ensemble conducted by Dan Watson.

The piece is roughly based on the frustration of not being able to write anything. I’d already written half a piece for the ensemble but it was terrible so I got rid of it and was really frustrated with it all – then this popped into my head and I just went for it!

Make an Aria at the Barber Institute – Y Gollyngdod

Monday was fun! I got to rehearse my aria – Y Gollyngdod – with mezzo-soprano Amanda Baldwin, Michael Rafferty conducting and Michael McCarthy directing. I was really pleased with the way it turned out and it was really nice to see it being rehearsed with real attention to the subtleties of David Roberts‘ libretto. Amanda was great, and was really enthusiastic about getting to grips with the aria which was great to see. Also, repetiteur Nicola Rose did a really nice job.

In the masterclass Nigel Osborne really got to the heart of my music and showed a great deal of insight and understanding which was really helpful for me. Having such a big focus from Nigel and the others on my music was incredibly revealing and taught me a great deal. It also made me pretty pleased with myself, because I think its a pretty decent piece!

Overall I think the project was ace – a great opportunity to really work with a writer and confront the challenges that collaborative opera writing can throw up, as well as really making sure I got to the heart of the text and considered the dramatic aspects. A big thank you to all the people involved from Music Theatre Wales, Welsh National Opera and BCMG. At some point we may even get round to finishing the opera!

For now, David and I are going to work on a few songs – he tells me he has some poems he reckons would be good so it’ll be interesting to get my teeth into them. Speaking of teeth, I’m having really awful toothache  – I think from my wisdom teeth. Sad times.

Anyway, hopefully I should get a recording up here pretty soon, so please come back when its around!

Arts Council England funding a tour of my latest piece!

Quick update with some exciting news! My latest piece for Springs Dance Company has just received funding from Arts Council England to tour around England! The Selfish Giant is a newly composed and choreographed piece based on the children’s story of the same name by Oscar Wilde. The show is a production of dance, storytelling and puppetry and is a great show for families. The tour dates are here, so go and have a look if you fancy it – and take some children along with you!

Sorting the Nation – video of performance at ArtsFest 2011

Here is a video of my most recent piece which was performed twice at ArtsFest in Birmingham September 2011 by Futuresonic. This performance is in Gallery 20 at the Birmingham Museum and Art Gallery which was a really cool venue to play in, although a little echoey, so there were some issues of balance. It was a shame their previous exhibition had finished because it would have tied in nicely with the concept of the piece.

Apologies for the Shelly ‘Shaky Hands’ Knotts filiming technique… :p Haha! To be fair it was very difficult holding the flip video recorder above audience head hight for over ten minutes! I’m hoping to get an audio recording which will be better quality, so I’ll sync it with the video when that happens… Anyway…

This is a piece written about the recent riots in Birmingham and the inadequate response of our politicians to address underlying social injustices and inequalities which were the root cause of the unrest.

Performers are Matt Stone – Baritone; Sam Hawksley – Clarinet; Ed Carpenter – Trumpet; Bryn Bowen – Percussion; Jo Walters – Violin

Many thanks to these guys! They did an excellent job with limited rehearsal time. And a particular well done to Matt Stone who interpreted my score amazingly well!

Also many thanks to ArtsFest for letting us play!

Sorting The Nation – Futuresonic Performance at ArtsFest Birmingham

This weekend is Birmingham’s ArtsFest, a mega two-day arts festival in the centre of Birmingham which is completely free! Obviously a brilliant idea. I love that you can go into town and check out loads of different performances of various genres. An excellent idea! This year I’m having a piece played by Futuresonic musicians which is a really fun piece as you can see:

On Saturday 10th September at 2pm we’re performing in Birmingham Museum and Art Gallery, Gallery 20 – Sorting the Nation by me, and into the darkness he spoke… by Joanna Karselis and a piece by Shelly Knotts. This programme will be repeated at 4pm on Sunday 11th September in Room 3 of the Council House (not, as it says on the original ArtsFest programme, in the HMS Daring Room because that room is 4m x 5m and we have 7 performers including a drum kit and I requested we have room for an audience!) We are also playing Shelly’s piece outside on Cherry Street at 12.30pm on Sunday.

We have some ace musicians playing for Futuresonic this time:

Baritone – Matt Stone; Flute – Ruth Harrison; Clarinet – Sam Hawksley; Trumpet – Ed Carpenter; Percussion – Bryn Bowen; Violin – Jo Walters and on Sunday we have Beth Clay joining us to sing Soprano in my piece.

This our rehearsal last weekend in Oasis Church‘s new community space (yes, a rehearsal space we can use for free!) at Edgbaston Cricket Ground.